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Loc. 732-34.
People really do want to touch each other, to the heart. That’s why you have music. If you can’t say it, sing it. Listen to the songs of the period. Heavily pointed and romantic, and trying to say things that they couldn’t say in prose or even on paper.
Loc. 827-29
“Since my baby left me”—it was just the sound. It was the last trigger. That was the first rock and roll I heard. It was a totally different way of delivering a song, a totally different sound, stripped down, burnt, no bullshit, no violins and ladies’ choruses and schmaltz, totally different. It was bare, right to the roots that you had a feeling were there but hadn’t yet heard. I’ve got to take my hat off to Elvis for that. The silence is your canvas, that’s your frame, that’s what you work on; don’t try and deafen it out. That’s what “Heartbreak Hotel” did to me. It was the first time I’d heard something so stark. Then I had to go back to what this cat had done before. Luckily I caught his name. The Radio Luxembourg signal came back in. “That was Elvis Presley, with ‘Heartbreak Hotel.’ ” Shit!
Loc. 856-62
I firmly believe if you want to be a guitar player, you better start on acoustic and then graduate to electric. Don’t think you’re going to be Townshend or Hendrix just because you can go wee wee wah wah, and all the electronic tricks of the trade. First you’ve got to know that fucker. And you go to bed with it. If there’s no babe around, you sleep with it. She’s just the right shape."
Loc. 1026-28
Keith Richards and James Fox (Contributor), Life, kindle.
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